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In front of Fire
Headquarters, North 5th and Arch Streets, 1958 |
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Excerpts from 1995
Paperweight Collectors Association annual bulletin article "Raymond Banford: A Pioneer of Lampwork Paperweight Making" by Gay LeCleire Taylor |
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Glassworking was not Ray's first occupation. Born in Camden, New Jersey, in 1918, Ray worked as a fireman from 1946 until 1973. Ray married his wife Ruth in 1948. In 1951, they had a son, Robert. The witty Ruth not only brought her clever sense of humor to the marriage, but also her inherited love of glass and antiques. Like a sponge, Ray began to read and meet antique dealers, soaking up knowledge about glass and other precious objects. He also met old-time South Jersey glassblowers. Ray became a well-informed dealer of art glass and antique paperweights. His love of antique paperweights led him to discover the works of other early lampwork paperweight makers. About this time, Ray's son Bob was graduating from high school. As a present, Ray and Ruth gave Bob a propane and oxygen burner used to melt glass rod. Unable to resist, Ray began to experiment with the burner, eventually resulting in a line of small paperweight pendants and miniature buttons. Like so many of the early lampwork artists, Ray and Bob pursued all avenues to find suitable and compatible glass. After three years of struggles, Ray's own style of weights began to emerge. Ray and Bob both developed their own paperweights while working closely in their shared studio in the garage of their home. They worked together experimenting with techniques but each creating his own unique style. Ray is known primarily for two types of flowers he developed. He is famous for his many types of roses. Single roses and bouquets in a wide range of colors and shadings. He and Bob also developed a way to overlay the paperweights with color. The pieces later being cut with various windows. Perhaps the single piece for which the Banfords are most known is a basket-cut overlay with either rose or iris bouquets contained therein. Also made were clear baskets, the cutting done by master glass cutter Ed Poore. The other type of flower weights Ray is known for is the iris. From magnum-sized bouquets to a small single flower, he has created an abundance of different designs. He, along with son Bob, also create collaborative pieces, though very few. Now Ray has cut back on his paperweight making, creating no more than 15 weights a year. He takes pleasure in reminiscing about the early days of lampwork paperweight making and the friends he has made. Sharing his love of glass and paperweights with his family and associates is still an important part of Ray's life. After more than twenty years, Ray Banford's influence on paperweights has been enormous. Although he will eventually retire, the legacy of paperweights he leaves behind insures he will never be forgotten. Ray's paperweights are in numerous public and private collections; among them are:
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Camden Courier-Post - March 9, 2003 |
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BANFORD,
RAYMOND E. |
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408-406
North 27th Street
Destroyed by Fire Photo February 25, 2009 Click on Image to Enlarge |